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The Hand That Wouldn’t Die Featured
Sculpture
The Hand That Wouldn’t Die (So We Plugged It In)
A life-support machine for monsters we created—then refused to bury. This sculpture exposes the absurdity of techno-rituals, where even fantasies get clinical maintenance.
The Machine That Almost Walks
Sculpture
The Machine That Almost Walks
A leg that sees but never gets far—a satire of our desire to automate what we barely understand.
Still Not Standard-banner
Digital Media
Still Not Standard: A Monument to Mispronunciation
A mechanical head collects dying dialects and spits them back, imperfect and glitchy. It doesn’t want to educate. It wants to interrupt. A farewell, maybe—but not a quiet one.
Still image from Untitled
Film & Performance
The Thing That Almost Touched Us
You didn’t touch it. But it left the shape of your reaching behind.
Digital Media
Observer Unit 0
A gentle-looking surveillance head doing what tech does best: watching you without asking. Wrapped in childlike innocence, it captures your every move while pretending not to care.
Featured Organ Outlived Instructions
Sculpture
The Organ That Outlived Its Instructions
A relic of unasked questions, still twitching with obsolete purpose. It breathes, not out of need, but because the script demands it.
the Portal
Digital Media
Into the Glitch: A Concert You Don’t Attend—You Become
A concert with no crowd, no center, and no escape. You don’t just hear the music—you fall into it. And when it’s over, you’re not sure what version of yourself came back out.
image1
Sculpture
The MirrorsDual Reflections, Resonant Wood: A Choral Installation for the Body
You’re not the viewer—you’re part of the system now.
Digital Media
Seeing Sound, Hearing Cities: A Real-Time Translation of Urban Light
This project uses frame-difference algorithms, grayscale conversion, and real-time sonification to transform urban lights into a living audio map—allowing us to hear the invisible structure of the night.
2
Sculpture
Piped and Plugged: Driving Ourselves Nowhere
A truck that can’t move—tethered by the very systems meant to empower it.
Film & Performance
When the Routine Starts Screaming: A Choreography of Collapse in Blue and White
Two dancers spiral from routine to rupture under cold blue and violent white. This isn’t a rebellion—it’s a system error made visible, an exhaustion choreographed. One that ends not in triumph, but in surrender.
Film & Performance
Sink In: A Quiet Rebellion from the Creative Class
A creative worker escapes the grind not with noise, but with silence—head submerged, notifications off, just water and breath. In a world that demands constant output, her stillness is a quiet act of rebellion.

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